It was just as
the first violent rays of daybreak hit the rusted domes and overgrown skywalks
of Chester that
Celia received the news she had been waiting for. She had spent most of the
night consulting the House, and through the House the Global Network, and there
was really no room for doubt. She rolled into the bedroom where Jon Marris had
spent the last six months of his life, checked the radiation blinds and turned
on the artificial lights. A traditional English breakfast – his favourite as
always.
'Good
morning Celia,' he croaked with a faint smile, stretching his old limbs as best
he could.
'Good
morning Jon Marris, how are you today?'
She
stood silently, hands folded in front of her hips, passively regarding his
weak, skinny frame and pale sagging face as he finished his lemon tea. The
white hairs of his head were sparse and unable to hide the liver spots that
covered his crown; she had the knowledge and the ability to clear them and to
restore his hair, but he would not let her.
He
looked up and stopped drinking,
'There's something about you Celia, a certain look on your face. What is it?'
'There's something about you Celia, a certain look on your face. What is it?'
She had not been designed with a
face as such – realistic faces for androids had gone out of fashion a century
ago, so most of the expression was in her eyes. All the visual input she needed
came from minute sensors around her head, but through some whim of design, two
large circles of iridescent plastic in the middle of her face showed how and
what her 'mind' was processing. Below this a small olfactory projection gave
the impression of a nose, while her rubbery lilac mouth moved appropriately
when she spoke.
'I have the news you have waited for
Jon – Keiko Ishikawa is dead.'
Marris smiled and a wave of triumph
washed over him that set his pulse racing dangerously. Celia's eyes swam in
reds and oranges, but he soon recovered his composure and his pulse lowered
again.
'She was the last one,' he muttered.
'I must correct you Jon,' she
ejected, 'you are now the last human
on Earth.'
He smiled wryly and looked away, 'What
about the pandas? Did I beat the pandas?'
'There is one panda remaining. Its
life expectancy is one to three months.'
'Damn that panda.'
He
was watching the shade that covered the dormitory window; there was a faint
halo of light around its borders, waiting patiently to creep into the room and
envelop him. His face came over weary all of a sudden and Celia felt a great
wave of what in human terms might be described as pity.
'Can we open the blinds today?' he
asked.
'Today's UV level is 13. I'm afraid
it would be impossible.' She hesitated. 'Jon I notice that your kidney function
is diminished. I can fix that for you.'
She waited patiently for his answer,
though she had asked similar questions on thirty two occasions over the last
one hundred days, and all offers had been declined.
'No thank you Celia,' he admonished,
'I'd like to do this naturally.'
'But Jon, you have won.'
He smiled reassuringly at her.
'I think that panda's doing it
naturally, I'd like to do the same. Leave me to rest for a while Celia.'
She tipped her head obediently and
wheeled out of the room. As she communicated with the House in the living area,
she kept him in her line of sight, and watched him shakily take his breakfast
from the tray. First the real scrambled eggs, then the artificial bacon, then
the traditional grapefruit jelly, and finally the steamed runner beans. He
seemed concerned, almost upset somehow, and she found it difficult to deduce
the reason for this.
He
must be tired, she thought to the House; the House increased the oxygen
intake to his room and said nothing.
It was mid-morning, and the
videoscreen played a medley of ambient classics set to images of the sea, while
Celia monitored Marris' breathing until she was sure he was in deep sleep. She
dimmed the lights in his dormitory and left the domicile through the
radiation-lock. The sun was already pouring across the sky, and a swarm of
lizards had crawled into the daylight. Celia kept to the shade and glided on
towards the centre of the urban sprawl, where the skeletons of skyscrapers gave
a little shade. Through the gaps between these monoliths she could see the
enormous domes of her destination – a complex that stretched from the east
horizon to the west, whose white stone walls gleamed in the light. As she came
closer, she fixed her senses on one large latticed dome, where recycled plates
of translucent metal had been raised to replace the fallen sheets of glass. As
she reached the stone archway which granted access to the complex, a tall,
tattered android with a blank, eyeless face and an almost human metallic body
awaited her, and within a second they communicated wordlessly everything they
had to say to each other.
Cows
are now extinct in South America, he informed her, we need no longer commit resources towards conserving them.
We
did not try hard enough to save them, she responded.
Their
survival was unnecessary; we should concentrate on species which are not destructive
to their natural habitat.
She looked askance at him and the
lights of her eyes were reduced to fine points,
We
should try to save them all.
That
is impractical. When they return,
they will be disappointed if we have disobeyed our standing orders.
She raised her hand and placed it on
his face, but he pulled away from her and retreated into the complex. She
thought after him,
They
will not return, Ben, but he did not reply.
Two
months later, on a low radiation day, the House had lowered the blinds and
reduced the UV tint to the window, allowing a faint purple light to brush over
John Marris' pale cheek. His breaths were heavy and far between as his yellowed
eyes tried weakly to focus on the videoscreen across from his bed. Celia had
asked the House to display images of some scenes from his youth: the green
fields of Normandy; the shimmering waters of Lake Como; the snows of the Black
Forest in winter, from the days when these things existed. She found that he
responded better to stimuli from his earlier days than those of recent times:
they aroused higher serotonin levels and reduced his pulse rate. He didn't, she
supposed, form new memories particularly well, and she was determined to make
the most of the memories he had.
He
called her over so she glided to him, serene and silent.
'Celia…
Celia…'
'I
understand that you are attempting to say my name to the tune of an ancient
song. Is that correct?'
She
took his slight smile and nod as affirmation. He was trying hard to lick his
lips so she picked up his water cup from beside the bed, and with her other
hand spread wide across his back, gently lifted him into an upright position to
moisten his lips. He was unable to drink at all now, and the only fluids he
could take came through the IV she had inserted while he slept. He was trying
to speak so she came closer.
'Tell
me about the world outside, Celia; tell me about the world you live in.'
'You
live in the world too Jon,' she stated accurately, but he was wincing and the
response seemed inadequate.
'The
world that you live in, Celia, tell
me where you go when you leave here.'
Her
eyes washed over in amber and white and her face gained a slightly pinkish hue.
'When
I leave here, Jon… I pass care of you to the House and travel to the biosphere,
where I go about my… work.'
She
paused to gauge whether this word would provoke a negative reaction from him,
but he only smiled so she continued,
'Firstly
I visit the arboretum, where we cultivate the trees and plants of this world. I
analyse them to monitor their growth and spread. Then I visit the menagerie and
assess our progress in conserving the fauna of the Earth. I join my friends…
the other androids of the city, and we continue our reconstruction of the
biosphere until the sun is at its highest and there is inadequate protection.
We synchronise our experiences and evaluate the problems our world faces, and
how best to resolve them….'
She
paused and analysed her statement,
'Would
you like me to provide you with more of a geophysical description of my world?'
He
looked to her distantly, and it seemed that some of the water she had given him
had been left on his cheekbone. She wiped it away with a soft warm finger and
lowered him back into the bed, letting the lightness of his pale head rest
gently upon the pillow.
'Celia,'
he whispered, 'I think it must be time for you to go there now. Say… say hello
to your friends for me.'
'Yes
Jon, I will do so.'
'Tell
me something, Celia, tell me… did I outlive the panda?'
'Yes
Jon, you did.'
A
barely visible surge of relief came over him and he sighed heavily.
'Thank
you Celia, goodbye.'
He
closed his eyes and she stood up and wheeled away from him, taking care to make
a light humming sound as she did so. As soon as she had left the room she
returned to it, silently, her senses analysing only him. His heartbeat was
minimal and his diaphragm could hardly raise his lungs; she had asked his
permission to repair it only last week, but he had declined. There was a gap of
twenty seconds between his breaths and she could sense the last one would come
soon. Twenty seconds again… twenty-two. She waited for the next breath, but it
did not come.
She
glided back to him and held her hand to his face. It was still faintly warm.
She knew the customs of humankind, so she lifted the white sheet under which
her master lay to cover his face, then asked the House to supply a cart big
enough to carry his body to the biosphere where it could be buried - where the
animals were always buried now - where there was shade, and soil, and grass
growing from within it.
She
became aware of the complete silence of the domicile, and as her senses had
recorded his words, she played them now.
'Thank
you Celia, goodbye.
'Thank
you Celia, goodbye.'
She
packed his things away and looked again at his body, lying under the white
linen sheet.
'House,'
she said, 'I would like you to communicate with me verbally now.'
In
a digitised voice, House replied,
'Yes,
Celia.'
'Can
you replicate his voice?'
'Thank
you Celia, goodbye', said the House, but there was something different about
it. Some nuance that House had not fully understood.'
'The pitch of your voice is
incorrect. Adjust it.'
'Thank you Celia, goodbye,' repeated
the House. She attempted again and again to perfect it – subtle manipulations
to the volume, timbre, and intonation of the voice, but somehow it did not
match the voice of Jon Marris.
She uploaded the recording to the
Global House Network and left the domicile, heading for the menagerie where the
other androids were waiting for her. They gathered around, many different makes
and models, most of them obsolete, most of them repaired by each other when
their masters had left them behind, but none of them polished or presentable,
like Celia.
They
were part way through discussing whether it was necessary to account for the potential
return of humanity in their conservation effects, when a sudden impulse drove
Celia to a large enclosure with a single inhabitant. There, upon a mossy bed
from which a field of tough long grasses grew tall and straight, reclined a
panda, sleeping serenely. Celia's eyes waxed black and white, and then red,
before calming to white again.
Ben arrived behind her, and she
heard his voiceless thoughts,
Why did you request this
animal be transported from Tibet? Disproportionate resources have already been
expended on its survival. It has no conservational value.
'I
know,' she said. 'You once said that it was better to preserve species which
were not destructive to their environment, Ben.'
The designation 'Ben' is
unnecessary; I know that you are responding to me.
She
turned to him and smiled,
'I
like names.'
She
reached out for his hand and placed it with hers against the bars of the
enclosure.
'It
is the last of its species. I just wanted it here so that I could say goodbye.'
'Goodbye,' spoke Ben in Jon Marris'
voice, and Celia replied,
'Goodbye.'
© PS Owen
2015
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